This is a captivating and varied collection. No matter what Ella Jeffery turns her attention to, her subjects find sharp resolution in language that has been subtly crafted and beautifully honed. These poems carry their insights deftly and intensely, her lens always focussed on those alchemical images that move her work from sensation into perception, from observation into shimmering awareness. Everything shines with the gloss of her highly polished linguistic and imaginative skills. Her work is a triumph and a delight.
– Judith Beveridge
As its title suggests, Dead Bolt is a meditation on home and its ability to become suddenly unhomely or uncanny. Ella Jeffery’s poetry ranges from the plangent and elegiac to the comic and satirical. It attends to both the eye and the ear; its extraordinary imagery is matched by a marvellous attention to poetry’s sonic capacity. Dead Bolt is a compelling, exquisitely realised debut.
– David McCooey
I love Ella Jeffery’s poetry. Like Elizabeth Bishop’s, it is companionable and unshowily surprising, and has perfect timing. Jeffery is clear-eyed and has a gift for the exact word, one that opens a rift. This is a masterly and original first collection—a major work.
– Lisa Gorton
This is a captivating and varied collection. No matter what Ella Jeffery turns her attention to, her subjects find sharp resolution in language that has been subtly crafted and beautifully honed. These poems carry their insights deftly and intensely, her lens always focussed on those alchemical images that move her work from sensation into perception, from observation into shimmering awareness. Everything shines with the gloss of her highly polished linguistic and imaginative skills. Her work is a triumph and a delight.
– Judith Beveridge
As its title suggests, Dead Bolt is a meditation on home and its ability to become suddenly unhomely or uncanny. Ella Jeffery’s poetry ranges from the plangent and elegiac to the comic and satirical. It attends to both the eye and the ear; its extraordinary imagery is matched by a marvellous attention to poetry’s sonic capacity. Dead Bolt is a compelling, exquisitely realised debut.
– David McCooey
I love Ella Jeffery’s poetry. Like Elizabeth Bishop’s, it is companionable and unshowily surprising, and has perfect timing. Jeffery is clear-eyed and has a gift for the exact word, one that opens a rift. This is a masterly and original first collection—a major work.
– Lisa Gorton