Diviney’s recent installations find connections between the structures of our cultural allegories and the material language of sculpture. His work—loosely based in traditions of assemblage, additive/subtractive construction and found objects—locates a unique connotative resonance in banal, yet
HOLLOW presents a sculptural and photographic array that draws on a decidedly pastoral vernacular of folk-art and back-woods building, pioneer tales and foundational myths. Comprised of familiar household and consumer products—socks, balaclavas, buckets and low-grade renovation supplies—Diviney’s installation detects an uncanny, humourous, and at times menacing subtext to our often-ignored, gentrified surroundings. His objects and appropriated imagery illicit both the pleasures and pitfalls of the survivalist imagination, the can-do spirit of frontier ingenuity and the deeply psychological weight of physical isolation. As such, HOLLOW conflates our typical lexicons of the rural, creating a perceptually baffling environment that speaks to the ever-evolving barter between civilization and wilderness, community and self-reliance, as well as the continuing weight of this discourse on the popular imagination.
Diviney’s recent installations find connections between the structures of our cultural allegories and the material language of sculpture. His work—loosely based in traditions of assemblage, additive/subtractive construction and found objects—locates a unique connotative resonance in banal, yet
HOLLOW presents a sculptural and photographic array that draws on a decidedly pastoral vernacular of folk-art and back-woods building, pioneer tales and foundational myths. Comprised of familiar household and consumer products—socks, balaclavas, buckets and low-grade renovation supplies—Diviney’s installation detects an uncanny, humourous, and at times menacing subtext to our often-ignored, gentrified surroundings. His objects and appropriated imagery illicit both the pleasures and pitfalls of the survivalist imagination, the can-do spirit of frontier ingenuity and the deeply psychological weight of physical isolation. As such, HOLLOW conflates our typical lexicons of the rural, creating a perceptually baffling environment that speaks to the ever-evolving barter between civilization and wilderness, community and self-reliance, as well as the continuing weight of this discourse on the popular imagination.