Its protagonist, a German family scion born in 1911 and known simply as Lucien, grows up under the tutelage of his grandmother, Misia Schmutter, a despot who rules her Venezuelan estate as if she were a spider who spins a web not so much for killing but for the fascination of power. She molds Lucien to her will, and after dying becomes a supernatural presence clinging to his back like the predatory tiger the boy once killed. But while her creed seems vaguely fascist, it is transmuted by Lucien's somewhat gentler spirit into a kind of existential obsession with pure action. This is, in fact, a story of obsession: Misia's for order and the will; Lucien's for architecture, gardens and gambling, and those of other characters, whose feelings range from love to bitterness.
Its protagonist, a German family scion born in 1911 and known simply as Lucien, grows up under the tutelage of his grandmother, Misia Schmutter, a despot who rules her Venezuelan estate as if she were a spider who spins a web not so much for killing but for the fascination of power. She molds Lucien to her will, and after dying becomes a supernatural presence clinging to his back like the predatory tiger the boy once killed. But while her creed seems vaguely fascist, it is transmuted by Lucien's somewhat gentler spirit into a kind of existential obsession with pure action. This is, in fact, a story of obsession: Misia's for order and the will; Lucien's for architecture, gardens and gambling, and those of other characters, whose feelings range from love to bitterness.